"We took everything at face value... nothing was real until it was real - you have to manage your expectations"

In the final part of our chat with The Clockworks’ Sean Connelly we take in what it was like to perform for Creation records honcho Alan McGee, how one time Suede-man Bernard Butler’s pace and feel for the live sound was instrumental in The Clockworks’ debut LP taking shape and how adding texture and nuance to the live set has really been a game changer. Sean talks a little on the ups and downs of battling through tough times and lets us know where he sits on the digital versus the physical side of the industry’s current guise. Make sure you head back to listen to the first part of this chat and then come back to finish of the full course. Cheers